The Obligations of Kingship 📱 SUBSCRIPTION

I. Imprisonment and Submersion

The dungeon's cold dampness could no longer discomfort Anna, for the familiar, shameful tide of heat within her was far more overwhelming than the chill of the stone walls. She had lost track of how long she had been imprisoned by Karon. The honor and unyielding will of a queen and knight had long been repeatedly crushed and worn away by his inhuman dark magic. Now, resistance was just a feeble, instinctive twitch, each attempt ending in deeper humiliation. What she found even more despairing and shameful was that her body had betrayed her will, had become "accustomed" to this humiliation, even involuntarily recalling the scenes of violation and experiencing shameful anticipation when Karon was absent.

Karon would periodically "visit" his noble prisoner. The aged political rival was in no hurry to possess her, but instead, like a skilled craftsman, admired and refined his most prized work. With his fingers and various cold or rough tools, he precisely teased every area that had already been developed to be incredibly sensitive. He enjoyed watching her progress from numb forbearance to her body instinctively beginning to comply, and finally to her mental breakdown and complete submersion in desire. For Anna, this daily torment had blurred the line between resistance and expectation.

II. Bathing and Brainwashing

Finally, Karon released her restraints, but replaced them with a collar and leash, symbols of humiliation. He led her, as if she were a pet, through long corridors to a luxurious bathroom. Under the gaze of the dwarven ambassador and other confidants, Anna was forced to shed all covering and enter the warm pool. The water vapor swirled, the men's greedy gazes pricking her back, while Karon, as if admiring a work of art, teased and poked her wet body with his wrinkled hands. On the wall hung a portrait of her mother, Queen Ilenna, her saintly face seemingly weeping silently, while her daughter, under the enemy's manipulation, repeatedly lost consciousness, indulging in shameful pleasure.

After the bath, the real torment had only just begun. Karon pushed her onto the cold table, the war map stretched taut by her full breasts. He recounted the "victories" on the front lines – small gains won at a heavy cost – in a conceited tone. He mocked, "Look at you, Queen of Aerelia, a waste only fit to be an orc's whore, captured and gang-raped by the enemy."

Immediately afterward, anesthetizing tentacles crawled up her ankles, the cold needle tips piercing the soles of her feet, the anesthetic rapidly flowing through her body. A helmet covered in fleshy tendrils was placed on her head, the nerves forcibly connected. Anna's consciousness was dragged into a hallucination woven by Karon, where her humiliating experiences of being attacked by dark magic tentacles were repeatedly played.

In the hallucination, she saw the disastrous state of her defeat and capture, surrounded by layers of crude orcs, the huge orc heads bringing mountain-like oppression. She saw herself being humiliated by the orcs on the battlefield, her buttocks raised high, while in the distance, her mother Ilenna was hung high on a wooden frame, her full breasts brutally treated, milk splashing everywhere. She saw her mother on the new throne, with an orc "ambassador" standing behind her, while she knelt beside them like a trophy, symbolizing the complete disgrace of the kingship. She saw every act of resistance ruthlessly crushed, enduring punishment in the prisoner-of-war camp. She saw the fall of Aerelia, the orcs erecting a "strange cannon" beneath the city walls, the cannon's fuse connected to her mother Ilenna's private parts, each involuntary contraction fueling the destruction of her kingdom.

Each scene of humiliation and powerlessness completely shattered her personality, splitting her into two extremes: the saintly queen and the lewd whore. Since her ascension to the throne, not only had she failed to rescue her mother, but she herself was constantly being trained by the enemy, arching her back in orgasm. In the hallucination, a mysterious black nun even appeared, her voice warm and familiar, precisely stimulating every sensitive part of her, seemingly an avatar of Agla, guiding her into an even deeper abyss. She wanted to be strong, but her opponent treated her only as a tool for venting lust. In the final scene of the hallucination, she was captured by the orcs, and as the executioner's blade was about to fall, she felt not fear, but relief, and a surge of heat flowed from her lower body.

Among the countless humiliating hallucinations constructed by Karon, the fall of the Royal Navy ship "Rainbow Fish" was a particularly painful scene.
It was once the symbol of the Aerelia kingdom's naval dominance, the "Rainbow Fish" with golden irises embroidered on its sails, and the unicorn statue at the bow shining with a sacred light in the sun. However, in this hallucination, this proud warship had been completely reduced to a goblin pirate's nest. The sails were torn to shreds, and the deck was filled with the disgusting smells of fish, alcohol, and excrement.

And replacing the sacred unicorn statue at the bow was none other than Anna's mother, Queen Ilenna.

She was tied tightly to the bow with rough, seawater-soaked ropes, her gorgeous royal robe torn to shreds, her full, mature body exposed to the salty sea breeze and countless pairs of greedy, lewd eyes. A group of green-skinned goblin pirates acted wantonly on her body, not treating her like a queen, but more like a rare trophy.

One of the goblins held a dirty wooden bucket, and with his filthy claws, he rudely grabbed and kneaded the queen's full breasts, which were constantly lactating due to the humiliation, forcibly squeezing out white milk. Breast milk splashed everywhere, some even splashing onto the faces of the laughing goblins next to him, eliciting an even dirtier burst of laughter. This humiliating scene overlapped with the scene Anna had seen of her mother being captured by the orcs, her milk mixed with rotten flesh being fought over by cubs, causing her stomach to churn.
The goblin responsible for milking seemed dissatisfied with the "harvest" in the bucket, and he shouted in a sharp voice, flattering, towards the captain's room: "The big boss wants more milk!"

After the shout, a taller, uglier goblin chieftain staggered out of the captain's room, holding a wine glass in his hand. He walked up to Ilenna, rudely pushed away the lackey, and personally squeezed the fresh, queen's-body-temperature milk directly into his wine glass, then mixed it with rum, drank it all in one gulp, and made a satisfying, nauseating smacking sound.

Anna was forced to watch all of this, the hallucination was so real that she could even smell the scent emanating from her mother's body, mixed with the aroma of milk and blood. Anger and helplessness were like two giant hands, strangling her heart tightly, while her body, because of this extremely humiliating scene, once again became inappropriately hot.

III. Divine Power and Submission

The brainwashing scenes abruptly stopped. In reality, Karon showed her his true power. He chanted ancient spells, and the earth trembled. A huge tentacled monstrosity, covered in eyeballs, burst from the ground, instantly flipping the orcish positions into the air! Then, the knights of Aerelia launched a charge, beginning a one-sided massacre.

Anna was completely crushed. What she couldn't do, her political opponent easily did. The beliefs she had always held, her pride, her resistance, seemed so laughable and powerless in the face of Karon's overwhelming power. The brainwashing was over. She collapsed to the ground, her eyes hollow, completely submissive.

IV. Physical and Mental Dependence

From that moment on, Anna's submission was no longer just physical. Her psychological defenses had completely collapsed, and she even developed a morbid dependence on the man who had brought her endless humiliation. She realized that perhaps only Karon's methods could save the people or rescue her mother. She began to willingly cater to him, satisfying this conceited man's various perverse and arrogant desires like a real woman. She put on the obscene white stockings he prepared – the so-called "royal lingerie" – and reveled in his rough caresses. When Karon pinched her nipples and watched the milk seem to flow out, she even felt unprecedented satisfaction.

V. Edict and Devotion

The next day, in the council chamber, Queen Anna signed an edict. She appointed Karon as regent, handing over control of the war and all the power of the country to him.

Then, in front of all the councilors, she made a shocking move. She spread her legs, sat on Karon's body, and announced in a tone mixed with humiliation and excitement: "I, Anna Aerelia, am the former 'Lewd Mask'. As the duty of a queen, I should marry all the men in the country!"

Silence fell over the council chamber. Then, Karon smiled contentedly. He took the rope symbolizing dominance and slowly led her out of the council chamber, towards the crowd that had already gathered in the square. What awaited him was the cheers of the entire kingdom and a queen who had completely become a plaything in his palm.